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Julius Caesar
Feb. 6-21, 2004

Review
The Times, Feb 20

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BIG CONSPIRACY

Shakespeare’s tragedy of Julius Caesar is one of the greatest political dramas ever written. At the height of its power, the Roman Empire teeters on the brink of chaos through the conspiracy of six senators to murder the most powerful man in the world. But the death of the tyrant only breeds new tyranny and creates a spiralling chain of tragic events and damnation for all those involved. Award-winning directors, Eric Brant and Donna Blanchard are proud to bring their exciting and edgy vision of the Bard’s epic play of betrayal, greed, and deception to the Chicago Street Theatre.

Heather McCalment as Cassius and David Pera as Brutus
Cast
Karl Berner
Kelly Bilski
Mary Bird
David Cox
Mitch Davidhizer
Mary DeBoer
Allison Dranger
Matt Gotzh
Ed Griffith
Robert Havrilla
Ben Henry
Joel Henry
Steve Holm
Jeff Jones
Doc Kuhn
Kat Lutze
Jeff Manes
Fred Margison
Heather McCalment
Derek McMahon
Eric Michaels
Greg Pachniks
David Pera
Robin Perry
John Paul Puglisi
Paul Puglisi
Colleen Sellers
Angie Shriner
Steve Zana

Directed by
Eric Brant & Donna Blanchard

Directors' Notes: Warning! This is not your parent’s Julius Caesar!

Working with one of Shakespeare’s scripts is always exciting. Reading the script offers a poetic and deceptively thorough unfolding of events and character development. Put that script in the hands of a talented performance team, and terrifically exciting life is breathed into the story. Some find Shakespeare’s words daunting, but his stories, emotions and deeds are that much more rich because of his in-depth descriptions… his words place life into an all to common story of the struggle for power, war, love, envy, ambition and passion. Shakespeare’s words performed become both music and lyric… defining myriad emotions along with the length and breadth of plot.

We’ve chosen to use the futuristic film-noir style used to adapt author Philip K. Dick’s stories (Blade Runner, Minority Report, Impostor and Total Recall) to add accessibility to the words and story. We’ve made a few other changes that might surprise long-time fans of the Bard such as casting women in some male roles (Once you see Cassius and Decius played by women, you’ll wonder if Shakespeare wished for such casting options – its nearly shocking to see how these characters’ words take new meaning when spoken by a woman). We’ve also chosen to use two different scripts; you’ll notice common, modern-day language peppered throughout the show. Shakespeare used less formal language when writing for his Plebeians… we’ve taken it a step further to enforce the intended disparity between the classes.

A smoke machine, lasers, rhythmically driving music, inventive use of video footage and other technical feats add to the mood and impact of this new, old story. We hope these devises allow you to fall in love with the brilliance of Shakespeare all over again… or for the first time.